A look at horror movies by someone who has too much time on his hands...

Wednesday, January 12, 2011

The Last Man on Earth


The Last Man on Earth is the first adaptation of I Am Legend, starring Vincent Price as Robert Morgan, a scientist researching a cure for a disease that causes, for all intents and purposes, vampirism.
It's a grim movie. For the longest time, it's just Price as a voiceover, going through his daily ritual of dealing with the vampires- making stakes, gathering garlic, maintainence on his generator. But it's been three years since the plague hit and as the only person immune to the disease, he's beginning to fray a bit on the edges.
Ok, alot.
Because it's just him, the vampires, and his memories- his wife and daughter were both plague victims.
Into this angst comes Ruth. He encounters her in the daylight, explaining how he couldn't be one of them- conversely neither could she.
But she is- of a different strain than the more zombie-esque vampires who've been menacing Morgan through the movie so far.

Yesterday, I commented that I appreciated The Last Man on Earth more than the remake The Omega Man. Watching this re-enforced that opinion.
Price plays the protagonist with more depth, more tragedy- still mourning his family- rather than Heston's almost wish fulfillment portrayal- he begins the movie speeding through downtown LA in a red convertible shooting things.
The vampires in TLMoE are more vampireish rather than the hippie albino cultists of TOM.
The stark black and white of TLMoE gives it a much more end of the world atmosphere rather than the Technicolor wonder of TOM.
But that's just me.
Your mileage may vary.

Oh, and in the words of Columbo- one more thing:

It's futile to wonder "What if...?" but I wonder what this film would have been like had Hammer Studios been allowed to make their version. The script was apparently too gruesome for the film board- Hammer never even started production, even though they'd scheduled Val Guest to direct.
Hammer sold the rights and the rest is history.
Here, watch:

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