I wasn't sure what to think the first time I saw this movie.
I'd seen the Lugosi version several times, so I was familiar with the sets and script, but this movie stands pretty well on its own merits.
Lupita Tovar is Eva, the "Mina" for this production, is much sexier than Helen Chandler.
And Carlos Villarias. He reminds me slightly of Steve Carrell. Which makes him all the more menacing. He's kind of dashing as well. At least for me, he lacks the sense of otherness Lugosi as Dracula, speaking accented English, surrounded by native speakers, has, since Villarias is speaking Spanish to Spanish speakers.
Director George Melford was lucky enough to watch the daily footage of Tod Browning's Dracula and was able to use what suited him while changing things as well. He's got a much more dynamic use of camera than Browning.
Of course, my favorite thing about the movie is how the film faded into obscurity until David Skal's 1990 book Hollywood Gothic brought it back on to the cultural radar, Skal travelling to Cuba in 1989 to see the best print available. 1992 saw the movie show in revival in Hollywood.
In fact, when Skal revised Hollywood Gothic for a later edition, the chapter on the Spanish Dracula is considerably longer.
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